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Abstract (по-русски)

Вильям Лахью/Идентичность Смоленского кладбища: православная община и готическая субкультура

Смоленское кладбище является старейшим кладбищем Санкт-Петербурга.  В моём проекте я рассматриваю роль православной общины и готической субкультуры в формировании современной идентичности кладбища как места памяти.

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Works cited

Works Cited: Smolensky Cemetery (William Lahue)

Works Cited and Consulted

Ar’ialov-Maevskii, Anton.  Personal Interview 15 July, 2011.

Brik, Lilya.  Personal Interview 15 July, 2011.

FAQ po goticheskoi kul’ture. http://faqs.org.ru/music/styles/gothcult3.htm

Hebdige, Dick.  Subculture: The Meaning of Style.  London: Routledge, 1987.

Moskovskii, Archpriest Viktor.  Personal Interview. 22 July, 2011.

Prominent Russians: Viktor Vasnetsov. RT. <http://russiapedia.rt.com/prominent-russians/art/viktor-vasnetsov/>. Accessed 3 May, 2011.

“Smolenskaia tserkov’” My znaem vse o gorode.  http://www.spbin.ru/encyclopedia/temples/smolenskaya.htm Accessed 3 September, 2011.

Smolenskoe.  Смоленское православное кладбище. <http://smolenkaspb.ru/pravoslavnoe.html> Accessed 2 May, 2011.

Vorota i dve bogadel’niCitiwalls. Aрхитектурный сайт Петербурга.    Accessed 3 August, 2011.

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2011 Buildings Churches People Церкви и соборы

Negotiating the Meanings of Smolensky Cemetery: Between Orthodoxy and Goth Subculture

William Lahue (Russian Studies Program, College of William and Mary)


For abstract of the paper in Russian click here. Чтобы прочитать краткое изложение статьи по-русски, нажмите кнопкой мышки здесь.

     Smolensky cemetery is the oldest continuously operating cemetery in St. Petersburg. It is located on Vasilievsky island banking the Smolensk river to the North and Maly prospect to the South. It is divided into Lutheran, Orthodox, and Armenian sections. Over the course of the 18th and 19th centuries the cemeteries’ identities were closely linked with religious identities of communities living around it. In the 20th century after the October revolution new atheistic authorities wanted to close the cemetery and viewed this effort as part of their war on the old regime. The story of the cemetery in the twentieth century is the story of the communities with religious identities resisting the official atheistic ideology enforced by the state authorities. The post-Soviet story of the cemetery, especially of its Orthodox section, is about the Orthodox Church restoring its symbolic control over the cemetery. In the face of this transition of power and values the Goth subculture has emerged and asserted itself in dialogue with the new dominant ideology.